Efeitos Discursivos da Linguagem Humorístca no Gênero Stand-up

Abstract

This paper has as objective analyses, using a qualitative analytical methodology, the discursive effects of a humorous genre that has been highlighting in the last years, The Stand-up Comedy; One of the most recent ways of do humor in Brazil. Based on the theories of Pêcheux (2009) and Orlandi (2010), considering the theoretical aspects of the French Discourse Analysis, we focus on the conditions of production of the said and unsaid discourses, as well as on the varied effects of sense found in the stretches of the Stand-up shows produced by the humorist and presenter Rafael Bastos. We noticed through analysis, that the genre carries in its discourses strong ideological loads that are camouflaged purposely through of the unsaid discourses, because of inviability of being totally uttered. Such derision are based on the values and relationships that society shares, constituting what many call black humor. Thus, the need arose for a study about the genre in its linguistic, social and ideological foundations.